Friday, October 10, 2008

Slide show-Pattern making in the African Diaspora.

Desert Jewels: North African Jewelry and Photography from the Xavier Guerrand-Hermes Collection


Now on view in Washington, DC:
Desert Jewels: North African Jewelry and Photography from the Xavier Guerrand-Hermès Collection
Organized by the Museum for African Art, New York and sponsored by Merrill Lynch, Desert Jewels presents spectacular jewelry from Morocco, Algeria, Libya, Tunisia and Egypt, and late 19th- and early 20th-century historical photographs of North African cities, landscapes, and people adorned in jewels.

“From simple ornaments that would be worn by a child to elaborate jeweled necklaces for women of wealth, the Xavier Guerrand-Hermès Collection is a treasure that reflects the richness of the cultures of North Africa.” —Elsie McCabe, President of the Museum for African Art
Desert Jewels will be open to the public daily from 10 a.m. - 5:30 p.m. (except Christmas Day) through January 11, 2009 at the Smithsonian National Museum of African Art. Location: 950 Independence Avenue, SW, Washington, DC, 20024. National tour to follow.
For more information, see www.africanart.org and africa.si.edu

Sunday, September 28, 2008

Slide Show-New work September.











Jacques Derrida (1930-2004)

Derrida, like many other contemporary European theorists, is preoccupied with undermining the oppositional tendencies that have befallen much of the Western philosophical tradition. In fact, dualisms are the staple diet of deconstruction, for without these hierarchies and orders of subordination it would be left with nowhere to intervene. Deconstruction is parasitic in that rather than espousing yet another grand narrative, or theory about the nature of the world in which we partake, it restricts itself to distorting already existing narratives, and to revealing the dualistic hierarchies they conceal. While Derrida's claims to being someone who speaks solely in the margins of philosophy can be contested, it is important to take these claims into account. Deconstruction is, somewhat infamously, the philosophy that says nothing. To the extent that it can be suggested that Derrida's concerns are often philosophical, they are clearly not phenomenological (he assures us that his work is to be read specifically against Husserl, Sartre and Merleau-Ponty) and nor are they ontological.